A Bag of Stories is just beginning
Stories are being published, photographs are finding their place, new contributors and subjects are entering the conversation. We wanted to invite you in now, while all of this is still being built.
Stories are being published, photographs are finding their place, new contributors and subjects are entering the conversation. We wanted to invite you in now, while all of this is still being built.
What if traveling well begins not with knowing where we are going, but with learning how to arrive? Marine biologist Yacciry Ahuja Jiménez reflects on science, ancestral knowledge, and the invisible things we carry across borders.
This is the second story in an "A Bag of Stories" series exploring Ethiopian culture through everyday practices and knowledge. At Ensira Pottery Center in Addis Ababa, women shape the jebena amid children, kilns, fragile pots, and shared life.
This is the first story in a new "A Bag of Stories" series exploring Ethiopian culture through the practices, materials, places, and forms of knowledge that shape everyday life. We begin with food: with teff, and with the work that comes before injera.
In places where public welfare is thin and formal employment scarce, millions of people build livelihoods one sale at a time. The informal economy should not be romanticized but neither should it be treated as disorder to be erased.
Through Tecla, ceramic designer and cultural planner Camilla Garelli looks beyond the finished object, following the materials, gestures, relationships, and meanings that allow a thing to become part of a life.
A wedding may last one night, but the economy built around it extends across many lives. In San Miguel de Allende, Penzi Weddings & Events offers a way to examine what luxury can produce when beauty, labor, local knowledge, and responsibility are understood as parts of the same system.
At Zoma Museum in Addis Ababa, architecture, art, education, cultivation, and daily life belong to the same living system. AFAR’s relationship with the museum began in friendship and has grown through years of shared work, visits, and images.
AFAR uses vegetable-tanned zebu leather and horn recovered from existing Ethiopian farming and food systems. “By-product” is not a claim of innocence. It describes where the material begins, and the responsibility that follows.